• a medieval illlumination, featuring a dog biting the neck of a duck. the duck is saying "queck"

    I think it’s time to admit I am just…bad at blogging. Even back in the Heyday of Blogs (and the days of the dearly departed Google Reader; no, I have not recovered from that particular loss), when a solid third of my day was spent reading knitting blogs, I was still bad at it. There are about a thousand reasons why, but here I am, taking another whack at it.

    Mostly, I’m taking another whack at it because I want to lament one of the dilemmas of a passionate reader: running into a stretch of books that just don’t work for you. A stretch I am in at this very moment.

    So far this year, I’ve read 70 books, and I’m crossing my fingers I can hit 100 by the time the year is out, but there’s been between ten to fifteen books that I’ve started, and then cast aside for various reasons. Even books by authors I love, like Ruth Ozeki, aren’t safe; I adored A Tale for the Time Being and My Year of Meats was so, so satisfying, but All Over Creation just wasn’t working for me.

    Before this, I was on an absolute mad rush through a bunch of monster-human romances, starting with Morning Glory Milking Farm (look, I know what I’m about), but after slamming through six romance novels in a row, I’m finding it hard to connect with anything else. In the past week and a half, I’ve tried and abandoned

    • Ordinary Monsters by J.M. Miro
    • Shift by Hugh Howey
    • On Earth We’re Briefly Gorgeous by Ocean Vuong
    • All Over Creation by Ruth Ozeki

    I think I’m most frustrated with Shift, because its predecessor, Wool, surprised me with how much I enjoyed it, but Shift was just a lot of pointless obfuscation while the protagonist wandered around not asking any of the questions he should have. I’m all for unreliable narratives or a slow unpacking of what’s going on, but when a character behaves like a moron and that’s the only thing keeping the plot together, into the DNF pile it goes.

    Now I’m moved on to Donna Tartt’s The Goldfinch, which will hopefully break this streak of subjective duds. I really liked The Secret History, and The Little Friend was an interesting but not all that successful experiment, so we’ll see how this goes.

    It’s just so frustrating to waste time on books that aren’t working for me, and while sometimes it’s worth pushing through a bit, once I hit the 100 page mark (which I did with all the above books), it’s time to call it a day.

    At least I’m making progress on my physical TBR shelf, and reclaiming space for MORE books! The ouroboros continues!

    It does make me feel like a failed reader, which is completely my fault since I’ve built my entire personality around “girl who reads too much” since I was about ten years old. But: life is too short to waste time on books that aren’t for me, and if nothing else, I’ll have a lovely pile to haul down to one of the local Tiny Free Libraries, where they might find someone they love.

    Just saying, though — if The Goldfinch fails me, I’m going back to the monster romances.

  • a medieval illlumination, featuring a dog biting the neck of a duck. the duck is saying "queck"

    We’re doing the first two weeks of the year at once because whoops, I fell behind!

    Books Read

    1. Ninth House by Leigh Bardugo: Technically this is a holdover from 2022, because I hadn’t finished it by the time the new year arrived. I read the last two-thirds in 2023, so it definitely counts! I’ve really enjoyed watching Bardugo grow as a writer over the years — I’ve been reading her work since Shadow and Bone came out, and she leveled up hard with this book. It could have used a little trimming, but overall it’s fast-paced, fun, and horrifying!
    2. The Empress of Salt and Fortune by Nghi Vo: Such a poignant read, in such a limited space! I really enjoyed Vo’s Siren Queen last year, so when I remembered I had this on my Kindle, I was delighted! I was surprised by how much emotion and how much worldbuilding Vo was able to pack into about one hundred pages, and by how lovely the writing was. I’m going to have to read everything she’s ever written.
    3. Goldilocks by Laura Lam: I wanted to like this book much more than I actually did. The set-up — in a world wracked by climate change, and slowly giving into misogyny, five women scientists push back against the industry that sidelined them and steal a spaceship bound for a new exoplanet. Such a great premise, but hampered by flat narration, and characters that seemed to develop in fits and starts, rather than in arcs. I liked the overall message of the book — that you can’t run away from your problems, but that you can build community and try to fix things — but it was a bit of a letdown.
    4. She Who Became the Sun by Shelley Parker-Chan: Oh this one left me bruised!!! Well, more like my heart was put through a garlic press, if I’m being honest. It’s such a brutal alternate history of how the Ming dynasty came to be, with the characters all so damaged and flawed and hurt and brilliant and hungry for some stability or safety — and then there’s General Ouyang, who seems himself as nothing but a tool and not a person with agency who is allowed to want, and — yeah. The writing is gorgeous, and the book will melt your brain. I can’t wait for the sequel.
    5. Deathless Divide by Justina Ireland: I said it on my Goodreads review but — Ireland only knows how to write absolute bangers. It’s been a while since I read Dread Nation, so I forgot a bunch of the subplots, but they came roaring back as I got further into this book. One of the biggest strengths of Dread Nation was Jane’s amazing first-person narrative voice, and that’s still present here — spunky, smart, brash, kind — but now it’s tempered by Katherine taking her time in the spotlight, with a controlled, proper, formal narration that carries so much of the weight of character development. Oh, and the zombies are still terrifying! Ireland gracefully handles issues of racism, colorism, and sexism, while still highlighting reasons to hope and keep fighting. So brilliant!
    6. The Last House on Needless Street by Catriona Ward: Now this was a creepy story. I haven’t read any of Ward’s books before, but I’ll definitely check out more of her work. The premise is great — a man, his daughter, and their talking religious cat all live in a house near the woods, avoiding people and rarely going outside. There are gods in the forest and boys in the attic, and a lake nearby where children keep disappearing. It’s a very slippery story, that moves from unnerving and horrifying to witheringly sad by the end. If you’re looking for something spooky, I would definitely give this a try (though please note that there are…a lot of applicable content warnings, including animal death/animal cruelty, though very little is graphic, and a lot of graphic child abuse).
    7. My Year of Meats by Ruth Ozeki: I’ve had the same experience with both Ozeki books I’ve read (the other being A Tale for the Time Being) — I start off not feeling impressed or all that interested, but then I blink and suddenly am one hundred pages in and utterly fascinated. Her writing has such an understated cleverness, but she’s not trying to show off or play tricks on the reader. There’s a lot of underlying compassion, no matter what she’s writing. This book, published in 1999, has not aged well in some respects, because how we talk about race, gender, and other social justice issues has evolved, but it’s a useful signpost for how far the conversation has come. It’s worth reading for the way Ozeki contrasts the very literal journey of meat with fertility, motherhood, family, and identity. Not for the squeamish: the last quarter of the book has an extended sequence in a slaughterhouse that does not flinch away from the filth and brutality of the industry that feeds us. NOTE: I actually finished this book on 01/15/23, but since I read most of it the day before, I’ll count it in the 01/01/23-01/14/23 reading round-up.

    I’m a little over ten percent of the way to my reading goal for the year; I don’t think I’ll keep up this pace for the rest of the month, let alone the year, but it’s nice to clear out the TBR piles a bit! Here’s hoping I can slow down on buying books for a while, so that reducing the TBR piles actually counts for something!

  • a medieval illlumination, featuring a dog biting the neck of a duck. the duck is saying "queck"

    After a few years of not reading as much as I used to — combined with some not-so-great record-keeping for the books I DID read — I think it’s safe to say that I’m back, baby. Growing up, I was very happy being known as The Weird Girl Who Reads All The Time, and 2022 was apparently the year I reclaimed that part of my identity.

    My goal was to read sixty books over the course of the year; I kept the number low on purpose because like I said, I haven’t had great luck with reading goals lately, and sixty books felt really achievable. I had a stack, both physical and electronic, of books to read, and I dove in with a lot of hope!

    2022 ended with me having read 103 books (granted, I read the same book three times!), so I really am back on my game! I did start the year with two books that I hadn’t finished in 2021 (White as Snow by Tanith Lee and Yuwu by Meatbun), which gave me a nice boost, but it was great to see that I can easily make reading a ton work with my schedule.

    As for the books I read, here’s my list of my top ten reads from 2022!

    The Gone World by Tom Sweterlitsch: I saw Kameron Hurley tweeting about how much she loved this book, and how she went back to reread it almost immediately, and had to jump on it. Little did I know I was going to read this book three times over the course of the year, and recommend it to basically everyone I talked to. A murder mystery time travel apocalyptic thriller might seem like a total mess from the outside, and in less sure hands it would have been, but this story hums along, fascinating, terrifying, and propulsive, to an ending that feels both totally surprising and inevitable. I have only one issue with it overall (the epilogue falls flat), but what an incredible ride. Bonus points for a disabled protagonist who never falls into the ~Inspirationally Disabled~ trap.

    Return of the Thief by Megan Whalen Turner: MY LONGEST YEAH BOY EVER!! Look, if you haven’t read The Queen’s Thief series…please go give it a try! I was terrified of this book before diving in — I managed to stay unspoiled, thank goodness — because the stakes were so high, both in-universe and for my expectations, but MWT knocked it out of the park. I reread the entire series before starting Return of the Thief, to make sure everything was fresh in my mind, and that was an excellent decision. There are no gimmicks, no flashy twists, just a powerhouse drive to the end of Eugenides’s story. Everything felt earned, gracious, even divine. A glorious ending to one of my favorite series of all time.

    Siren Queen by Nghi Vo: My first Nghi Vo novel, and definitely not my last. Every word is meticulous, polished, and somehow still delicate, and the story of an eldritch, hungry Hollywood and the aspiring actress fighting for her place in the stars is totally irresistible. It shows the beauty in monstrosity, as well as the cost of stardom — that seductive lure that all too often leads to ruin. And there’s an extended Tam Lin-inspired sequence! Perfection!

    A Tale for the Time Being by Ruth Ozeki: I didn’t expect to feel so much from this novel, and yet I did. Two very different women, on opposite sides of the ocean, are brought into brief, elusive connection, leading to an almost obsessive search by one woman to find the other. Quantum mechanics, questions of identity, Zen Buddhism, and cats all interwine in a hilarious, often heartbreaking story. This story has a special place in my heart because my cat, Orpheus, spent most of the time I was reading it curled up into the curve of my shoulder, purring constantly. Obviously he was a fan, too.

    Wise Children by Angela Carter: What can I say about Angela Carter that hasn’t already been said? The woman was incapable of writing a boring sentence, and this joyous, madcap rush through the London theater scene, to Hollywood, and everywhere in between, demonstrates that magnificently. I smiled the entire time I read this book. Just beware: like Kate Bush, once Angela Carter gets into your head, she will never leave.

    An Unkindness of Ghosts by Rivers Solomon: Oof. Big oof all around. Rivers Solomon did not hold back in their exploration of a generation ship built along the lines of the antebellum South. Society is built on the backs of thousands of Black slaves, while the rich, white characters exist in comfort and luxury. It’s a brutal read, with a taut mystery at its center, and incredibly alive — the details of the worldbuilding, like how each deck has its own dialect, and the glimpses of the technology powering the generations ship, are real, almost tangible, without ever taking away from the weight of the narrative.

    Iron Widow by Xiran Jay Zhao: I’ve followed Zhao’s Youtube videos for a while, and they are a delight, but I was a latecomer to Iron Widow. I regret that now, because I want this book in my brain at all times. It is brutal, uncompromising, even ugly — but there’s a sense of wonder embedded in it as well. There’s hope. Wu Zetian is a furious whirlwind of a girl, hellbent on revenge for her sister, but also possibly the only hope the world has left. I love ANYTHING to do with kaiju, so this was right up my alley — and the last two pages left me absolutely screaming for the sequel.

    All the Murmuring Bones and The Path of Thorns by Angela Slatter: What’s better than an author writing a lot of dark, heady stories set in the same universe? Very little, honestly! Angela Slatter is an incredible writer, and each one of her fairy-tale inspired stories is another monstrous miracle. All the Murmuring Bones tells the story of the last heir of a decaying family, tied to the sea by an old, bloody bargain, and The Path of Thorns takes inspiration not just from fairy tales but from gothic horror. Each book is deliciously written, full of unexpected flourishes and a lot of horror. Not for the faint of heart, but so, so rewarding.

    Dark Wizard by Jeffe Kennedy: I am weak for fantasy romance, especially when I get the feeling the main couple actually likes each other, aside from their Grand Sweeping Passion. Forced together because of a truly awful set of social rules, upstart wizard Gabe and familiar Nic (who is brimming over with power, but can’t use it) manage to not only fall in love but maybe set off a small social revolution? All while bantering, arguing about how to run an estate, and discussing the different kinds of wetlands. A sweet, very sexy trilogy — I really hope there’s more!

    And there we have it! My top ten books of 2022.

    1. a medieval illlumination, featuring a dog biting the neck of a duck. the duck is saying "queck"

      After a few years of not hitting my reading goals (due to reading a ton of fanfic, too much choice, and forgetting to update Goodreads), I delighted myself by hitting my goal of 60 books read in 2022 back in August, with Leigh Bardugo’s King of Scars. I’m at 71 books read now, since I just wrapped up Nghi Vo’s Siren Queen yesterday (a truly heady, delicious book, full of body horror and magic and featuring an unexpected Tam Lin-inspired sequence!), and I should be at 72 by the end of the day, since I treated myself to a reread of Winterlong by Elizabeth Hand.

      This isn’t to brag — not that I think many people read this to begin with, so if anything I’m boasting into the void — but what’s different about this year than others? I can only use COVID-related anxiety as a partial excuse (that anxiety drove me headlong into new fandoms, and new fanfic, for months), but I think this year being a success was thanks to a few factors:

      1. I actually got organized! Not that I necessarily stuck to it every month, but I started choosing a list of about five to six books at the beginning of each month that I would then choose from as I needed a new book. This let me not only trim down my ever-growing TBR pile (not by much, but what’s a TBR pile that doesn’t fight every effort to trim it down?), but helped me avoid feeling overwhelmed by too much choice. I have a lot of books I want to read, and almost as many I want to reread, so having a plan — and a narrow field to pick from, instead of the vastness of my entire backlog — kept me organized and on track.
      2. As soon as I finished one book, I usually immediately started the next. As in, moments afterward. In knitting, there’s this idea of “second sock syndrome” — it can be hard to keep up the momentum to finish a pair of socks after you knit the first one, so what many people advise is starting the second one right away, even if you only knit a few rows. I used the same principle here (and a similar one in writing: whenever I finish a scene or chapter, I always try to write a few more lines, just to give me some power going into the next writing session). Even just choosing the next book to read right away seemed to help.
      3. The excitement of posting about each new book I read, both on Goodreads and on Twitter, where I have a running thread with each update, was also a great incentive. Sometimes social media is kind-of sort-of okay!
      4. I discovered I really, truly love putting the physical books I read on my shelves, if I decide to keep them. I also really, truly love reorganizing my bookcases, but that’s a different story. Sidenote: I need more bookcases.

      These are probably old news, but they got me moving! I’m not in competition with anyone, but it’s been really lovely to challenge myself to read more, and to read widely. While I was on vacation this summer, I even had a little readathon to see how much I could read in 48 hours (lots of Angela Carter, apparently) — I’ll definitely be repeating that in December, over my winter break!

      As for what I want to read over the rest of this month, I’d like to read through a few of the samples I downloaded for fantasy romance novels (a true but delicious weakness of mine), finish Winterlong, reread The Fellowship of the Ring and The Two Towers — and after that, who knows? I’ll need to check out my list, and make a new one for October.

    2. a medieval illlumination, featuring a dog biting the neck of a duck. the duck is saying "queck"
      1. The breakfast sandwich I made on a ciabatta roll earlier today (technically it was a lunch sandwich, if we’re going by timing, but it was a breakfast sandwich in its essence).
      2. Reading the excellent The Seep by Chana Porter, which had all the flavors of New Weird that I love in Jeff VanDerMeer’s work, but with a very gentle, thoughtful focus on identity and grief.
      3. Having a long cuddle/nap with Orpheus earlier this afternoon.
      4. Knowing there’s only five more work days until I go on vacation.
      5. The feeling of knowing one writing project will soon be finished, and that another will soon begin.
      6. Pictures of my new nephew in the family group chat.
      7. Anticipating a lovely walk later this afternoon.
      8. Getting takeout later, if I hit my word goal for the day (if not, I’ll cook a fancy dinner for myself here, so really, I win either way).
      9. My growing collection of fancy tea cups and saucers.
      10. The slow but satisfying process of cleaning out my apartment.
      11. Books. Always and forever, books.
    3. a medieval illlumination, featuring a dog biting the neck of a duck. the duck is saying "queck"

      I’m starting to think that I’m doomed, when it comes to planning what I’m going to write. This probably should have been obvious to me, given that I’m pretty bad at outlining, and yet! Here I am, surprised at how my writing plans for the last quarter of the year have been blown out of the water — because I got An Idea, and since it’s new, it’s louder than all the other ideas…which means it’s getting written first.

      This isn’t a bad thing, and I’m certainly grateful for the mostly-constant stream of inspiration, but it does make me fight the encroaching feeling that I’m going to run out of time before I write everything I want to. I know, I know, that’s a given, seeing how I have not yet figured out how to become immortal (if there are any vampires looking for a girlfriend, I am free tomorrow night, and pretty much every night thereafter; hit me up!), but given the state of the world, things feel much more urgent (or maybe “dire” is a better word?) than ever.

      Part of that is growing up; part of that is the barrage of constant bad news. I’m getting better at reminding myself that social media is about Feelings, not Facts, but I struggle to get distance, and when I don’t, I get all stressed, and then I tank my mindset for writing, and then I feel like I have even less time…

      What a time to be alive, truly.

      The solution, I think, is not necessarily to write more, or faster; it’s not about stressing myself to write every free moment. I think it’s about being completely present in each project as I’m writing it, being devoted to its joys and its annoyances, to the soggy middle and the hamstrung endings. If I worry about what I want to get done, I miss the small things, and since so much of art, in any form, is about elevating those moments, or at least preserving them, it’s better to find my place and inhabit it, totally and completely.

      Does this mean I’ll write more? Probably not. But hopefully it means a deeper, richer experience, so that no matter where my journey ends, writing- and life-wise, I’ll know I gave my best to each moment. It may not be enough, but it will have been honest, and it will have been real. Sometimes, that’s the best you can hope for.

    4. a medieval illlumination, featuring a dog biting the neck of a duck. the duck is saying "queck"

      Every so often, I come back to blogging — having never gotten over the loss of Google Reader (which is, I write somewhat facetiously, where we started to go wrong as a civilization) — though I never stay for long, and never know what I want to say. I’ve blogged about knitting, about what I’m reading, about my quiet and voluntarily circumscribed life, but it never seems to stick.

      I wonder if it’s because I’m always trying to find The Thing that will launch me to whatever heights I’ve been dreaming of: a popular knitter! A well-respected book blogger! An admirable spinster in her garret! I’m not blogging just to blog, which can be in its own reward — which really is just a subset of writing for the joy of writing.

      So! I’m going to try again, and see what kind of a mix I come up with this time. Hopefully it sticks a bit better this go-around.